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The final

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end, or supposedly realistic, but to make it a bit more realistic should spend as another whole month making the head ...

At first I thought it was so complicated, well, the theme of light coming and going when I wanted, but other than that, not looking very hard. Depending on the day, if it was a sun, outside the window looked very clear, and of course, the objects were back- and were a little dark, bouncing light reflection from the surface of the table, shining bright glare of the shoe and head, and yet, on gray days, there have been few this month, all Instead, he looked almost as light as outside it inside, the table was not so many eyes and everything was in a more uniform tone ... so here all this makes the still life has lights and shadows which have nothing to do with others, depending on the day I did, although I tried everything to be harmonious.

And I think the colors are harmonious, the picture works, excepting the head, which seemed impossible, I made and remade a million times and end I ended up leaving it well ... I'm not very happy with the finish of the head ..

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Still Life Still Life with acrylics.

The job was to make one of the still life set out in class, acrylic on canvas [the first time I paint on canvas! : D Well, after the slides ... they were a bit disastrous] and a range of colors, which could well be 'red-magenta-purple', 'purple-blue-green' or 'green-yellow-red'. I chose the first triangle of colors, and I've been very pastel, almost seems sweet. I think the result for the time I was not bad, and also something that I noticed is that the acrylic extends far better on canvas than sheet of paper, mix the colors a lot better, well, in fact, can be mixed, which is enough: D

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Exhibition 'Goethe vs. Newton' Horse-

Since I have the powerpoint on my computer, I choice but to enter the link to the blog of my colleague if he could raise the exposure. [Thanks Laura;)]

seek information from several web sites and a couple of books, one of his about the psychology of color and one that we took in the library, which is not much inofrmación encontramso. The exhibition
talked a little about his biography to explain who they were, that time and they said their theories, then, we explained what happened to Goethe's theory about the colors and why they did not accept Newton's theory.

Goethe vs. Newton's blog Laura Lucena

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Seahorse Collage

In sculpture we had to do a job that was to make a hybrid, either of two animals, animals and people, objects , etc ... mixing not only parties but their gestures or materials and inventartelos you could also do some mythological or had a meaning in our society [such as the woman who made a companion vase].

I decided to do a 'Horse-Caballito de mar' or as he called Victor 'Caballoito sea' haha. The idea was simply that they are two completely different animals [one is a fish with your shield or armor, another is a land mammal with four legs, seahorses are invertebrates, but the horses have bony structure, the former feed on plankton and small crustaceans and the latter are herbivores, etc ...], and yet the fish is named for its resemblance mammal in the head.

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Well, after many hours of Thursday morning, and looking as magazines or posters crazy around my house, I managed to find some tones to my collage. Since I had to be a portrait, well, I took a small picture of me [even if they say I look like a child xD] and I was hitting the side pieces of famous people coming out in magazines, and tufts of blond hair artists haha . At the end was half decent the picture looks like, but some features like the nose or eyes away a bit of resemblance.

[I have yet to upload photos of textures, transparencies and photo realistic still life as I have, and renew some of your blog photos are a bit bad because I made the phone]

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Other means to draw

Airbrush: It was invented in the late nineteenth century the British Charles Burdik. It is based on passing air through a duct to be mixed with diluted paint or ink.
There are two types of airbrushes, the so-called acciópn simple and double action. The former can not modify or control the speed and texture of the paint, and the latter have the ability to control the flow of paint and air, using a small lever.

Erasers: basic and essential to draw, to rectify errors in the lines or marking lights shine out in the drawings. There are normal rubber [such as we have used everyone in the school] and pliable rubber, which are better for drawing something more 'professional' and that leaves no trace of wear rubber or paper.



Smudge: brown paper rolled tightly to form a tip cilindor. Are used to blur [cakes or extend charcoal]. There are of very different sizes, for large areas that blur or fines for small details. According littering will be sanded with a scraper or sandpaper to return to clean and stain are where they should not.



Fasteners: are varnishes, prepared from resins and alcohols, which is impregnated with the support surface that contains the picture to protect it and prevent it from being deleted by the evolution of the medium.



Boards: to have a rigid support on which the paper where we draw. should have a thickness and size. Normally the key chincetas paper or masking tape. Go up the ridge.



Palette: wooden or plastic [qu has holes, sueln be paer watercolors], to make the paint mixtures.



Brushes, brushes and stirrers: hair can be natural or synthetic animal. Serve to extend pa paint on paper or on canvas, consisting of a long handle and thin wood or plastic, and the tip, hair [synthetic or sond and animal: bristle, sable, squirrel , beef, etc]. The very dievrsos ahy edge types [flat, round, conical, etc.], as well, there are also very different sizes.




Finally, of course, you always have your glasses with water, rags, paper, paint thinner in some crafts.